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Showing posts with label guest bloggers. Show all posts
Showing posts with label guest bloggers. Show all posts

Friday, August 13, 2010

The Real Housewives – Where is the love? by Aaron Krassraie


American’s thoughts and values change year-to-year, along with these changes comes new habits in conducting our lifestyle and forms of communication. I think it is fair to call this an evolutionary process, as our technology and potential continues to advance ahead as we move through time. Advance, as in change for the better. One dimension I find my statement to be unsupported is in the context of our media. No, it isn’t rap music that goes against the grain of our society, but, The Real Housewives series.

As I am sure you have heard, the Housewives have come to our area in the city of Washington DC. Everyone is going “GaGa” over the new hot reality show making its mark in the city that just had seasons of, The Real World, Top Chef, and DC Cupcake. The past seasons have brought a lot of attention to the city marking it as a place with a culture, past the politics on the Hill. DC is finally getting its acknowledgement as a place that is thriving, fun, and full of attractive young people.

While looking at The Real Housewives of DC, I see it accomplishing nothing but casting an imaginary idea of what DC is and what we appreciate out of a family. A major theme to this season’s cast is having “power” and indulging in the “life of luxury.” Just like many of the seasons of The Real Housewives the show follows 4 to 5 women who are typically of middle age, living way above the poverty line in a specific metropolitan area as they toss their money around and get into trouble while gossiping behind each other’s back. Does Bravo remember this is being broadcasted into the homes of many, not just in the area, but across the country? The show is getting so much attention by folks of all walks of life. Even The Washington Post has a whole page of articles dedicated to the show on their website.

We as a society are giving such a trivial show so much attention we are loosing focus on what is important to our classical family values. What is so important about validating how “rich” or “powerful” we are? It has no meaning to the greater picture of life. Yes, it is a “guilty pleasure” for many of those who watch it but does it deserve a series in 6 different locations? This has spawned such a phenomena I think this guilty fantasy has gone overboard. These fantasies should not become a strived reality or something we should want to become.

A fantasy that this season is also casting across Washington is the whole idea of what DC is. Only one of the housewives actually lives in the “Chocolate City”, ironically, the only black one in the cast. The rest live outside of DC in suburbia. As hard as it is not to ignore the superficial differences between the rich of DC and Virginia, it is important to again emphasis that this is not DC! The true housewives of DC would not agree to a show in which trash is class. A politician’s wife, a more a typical ritzy housewife of DC is either a) a producing member of society or b) just like the housewives on the show but would rather not exploit themselves or their husband’s career. To me, I would much rather watch a true housewife of DC, living on the East side striving to send their child to school and make end’s meet. This can provide all of the drama and emotion that any rich bitch could, but with true real emotion. They would be “Real.” A true unfortunate fact is that, the woman I just described is the most typical housewife to city, an area ignored by the media. I doubt there will be any occurrences or even video of a street in the part of Washington I’m talking about. Why is America kidding themselves by allowing these shows to become so popular and giving them the attention to come on so many times a night and be re played all throughout the day. The only positive aspect the “hard hitting newspaper,” The Washington Post, is informing us on is the lies the housewives tells to attempt at flaunting their success in…..Virginia? Sadly, this of course isn’t told to us with the idea of unveiling the true DC but how “not rich and powerful” this season’s cast truly is.

Unfortunately, the housewives are about to go international, to Greece and London. Our technology may be getting stronger, but this idea of family is going down the drain of faux metropolitan suburbia.

Friday, August 6, 2010

Top 5: MC's Dead or Alive by London C


When asked who I think are the top 5 rappers, a safe, standard list always pops in my mind. It's a list of rappers that seem to be silently agreed upon by Hip Hop purists all over the world. They are,in no particular order: Tupac, Biggie, Nas, Eminem, and Jay-Z.

It'd be very difficult to find somebody who didn't agree with these selections. The only dispute would obviously come from how each rapper would be ranked. I love asking this question to strangers because they tend to say all these names to be safe. On some rare occasions, I've met people who have none of these rappers in there lists and it delightfully surprises me. Sometimes while surfing Youtube, I come across random debates where users comment back and forth on the best rappers. When that rare list arises, it's usually met with disdain and is quickly shot down from the other users. Why?

Yes, the “standard” top 5 consists of amazing lyricists but these lists are purely based on opinion. Some people may not be fans of Eminem's violent lyrics. Some people may hate Nas' beat selection which could in turn, deter them from listening to his lyrics as a whole. These are a just a few reasons but what it comes down to is personal preference. I like Tupac, but I think Biggie is lyrically better. That's why he's not in my list.

Jay is gone with the wind because I just feel that he bit too many bars during his career and hasn't been rapping about anything substance wise as of late. Don't agree? Good. My #5 is Lupe Fiasco, then MF DOOM, Eminem, Nas, and Biggie at the top. It's a somewhat unique list but after reviewing all of these rappers' albums and taking their lyrical and song making skills into consideration, this is what I've come to. I like it and don't care if you hate it. But don't down talk mine just because it doesn't include the rappers that are in yours. It's all opinion.

The Future is in the 90's by Jazmine Procks


With snap caps, muscle shirts, ethnic prints , and jerseys slowly becoming hot items in street wear it is safe to say fashion is heading back to the 90’s in the hopes of a bright future. For approximately the last decade fashion has been experiencing a burst of energy from the 80’s with neon colors, spandex, and big sneakers…it is definitely time for a fresh start. What better way to go than the style contrast of the 90’s? There is so many styles from the 90’s to choose from ranging from the early years with cross colors, collegiate apparel, and ethnic wear, to the latter end with bell bottoms, hot pants, and oversized shirts. The inspirations from this decade give fashion lovers a chance to be free and creative with their personal style. I love the direction fashion is heading into, we seem to be breaking away from the flashy superficial “fashion” of celebrity trends and name brand, and slowly getting back to style. As a lover of fashion I admit it was starting to bore me but I’m excited to see what the new set of inspirations will bring. Hopefully we will see more creative individuality and less of the same thing.

Wednesday, August 4, 2010

Artist Profile: Jayden


As much as one may love R&B, no one can deny that sometimes it all blends together just a bit. A new artist begins to gather up some buzz, only for people to listen, and realize that they sound just like everyone else. This happens in every genre of music – after a while, it can be hard to find new talent that really stands out; someone that has earned their new-found place of (partial) recognition.
Thankfully, this summer has brought the world a fresh face, worthy of every good word coming to him. Hailing from New Jersey, Jayden is the boy responsible for the hottest, freshest R&B tracks to come out this season. His debut album, A Year In The Life should have been snatched up by a major label, and has a handful of radio-ready singles. If this album isn’t his big break, it will certainly get him to the next step.

A Year shows Jayden as an R&B artist who is purposeful. Not just another singer/songwriter, Jayden has something to say, and knows how to make a crowd dance while they hear it. Musically, there seem to be almost three different artists creating this LP. One of these is hip hop, one is dance, and the other is pure, slow-jamz R&B. Beat-wise, there is something for everyone, something for every mood on this record.

Lyrically and vocally, however, this CD is unmistakably rhythm and blues; Jayden might blend genres left and right to create a different sound, but he never strays too far from his roots. Every track offers up a new twist on the original styles that Jayden has been so influenced by. Jayden’s A Year In The Life is the work of a true artist – taking what predecessors have done before, and making it his own.

Check him out online at www.myspace.com/jaydenonline (while you are there, check out his song “Why I Love” [Club Mix]. So good.)

Friday, July 30, 2010

No, Don't Teach Me How To Dougie” by Loundon C


If you haven't already heard of the song by Cali Swag District, you're not missing anything special. “Teach Me How to Dougie” has a hot beat, no disagreements there. However, when I first heard this song recently, it became even more clear to me that good lyrics just aren't important to your average Hip Hop fan. On the radio, it gets requested because it sounds good and is easy to dance to. I have no problem with that, but would it hurt to couple that beat with some rhymes that aren't so basic that a caveman could catch the punchlines with flying colors? I'm not saying I want lines to soar over my head but just give me something to think about. I'm aware that there are requirements for these songs to get such heavy rotation: Dumbed down lyrics? Check. A great beat? Check. A dance for people to learn? Check. Infectious hook? Check. Sounds like a hit to me. It's just unfortunate that I rarely hear songs shying away from this formula.

Moving on, the hook on this track is definitely catchy. However, the dance itself is somewhat confusing. There aren't many specific moves one could pull off by simply watching the video. It doesn't seem to be as easy as the “Crank That” song by Soulja Boy. Regardless, I can't hate on the group's hustle. If people still want to groove to this song then, do your thing Cali Swag District and keep teaching. But don't expect to see me in class.

Thursday, July 22, 2010

“Live Fast, Die Young”- Rick Ross and Kanye West by Owen Beecher



What a good time to be a Kanye West fan. After wearing a dunce cap for almost the whole winter and spring, he has made a ferocious comeback. A month ago he hit us with the boisterous as ever “Power”, then the performance at the BET awards in which he donned Egyptian artifacts around his neck and fingers, and now this absolutely spectacular collaboration with Rick Ross. I can confidently say it is as good or better than anything on “Graduation”. He turned a trite saying into an addicting chorus, and the beat is as sophisticated as anything he’s ever produced. Frantic clapping carries everything, while the beat switches between a glistening synth melody (live fast) and a foreboding bass line (die young). Kanye gives us an energetic, all over the place verse in which he does his best fan boy impression (Yeezy I always knew you’d be on top again!), while Ross supplies the standard lifestyle raps. Some say Ross’s lack of rapping ability takes away from the song. Whatever. His booming voice and grand presence accompany the song very well, and really, that is all you need against this beat. This is a truly complex and nuanced piece of music that shouldn’t need virtuoso rapping. If Kanye is giving out beats like this to his friends, then one has to be very intrigued by what he has saved for his much-anticipated “Good Ass Job”, which is due out in September.